Showing posts with label music hall of williamsburg. Show all posts
Showing posts with label music hall of williamsburg. Show all posts

Thursday, April 21, 2011

Sharon Van Etten and Megafaun Played Music Hall Of Williamsburg - Pictures, Review

It was a soggy night of April showers – not to mention Tax Day – last Saturday, but we were excited enough to climb out of bed, pull on the rain boots, and slog over to Music Hall of Williamsburg to check out Sharon Van Etten. We first heard Sharon’s haunting backup vocals on The National’s latest song “Think You Can Wait,” which they wrote for the movie WIN WIN. Our reaction was: “Who the hell is that!?!” So we had to check out this show and find out more.

First up, though, was Megafaun and we were lucky to arrive early enough to catch their whole set. These three North Carolinians (two brothers and a high school best friend) are former band mates of Justin Vernon and they share some of Bon Iver’s folksiness. But what makes Megafaun stand out is their energy and sense of humor. These guys simply know how to have fun on stage. When drummer Joe Westerlund – looking like a Tolkien character after a week at Burning Man – took over lead vocals for a song, he delivered a theatrical performance that almost channeled Freddie Mercury. It was surprising and pretty hilarious – and the crowd ate it up.


Megafaun’s admiration for Sharon Van Etten seemed more heartfelt than most opening bands, and by the time she came on stage and opened with two solo acoustic songs, we could see why. She has a no frills performance style. She lets her voice do all the work. But she’s the type of singer that causes everyone in the room to freeze in their tracks and hang on every single word. Her backup band eventually filled out her sound, but the crowd remained motionless and pretty much in awe throughout the show.


Things seemed to build up to the final song in the set, which happens to be our favorite. When Sharon walked over to the harmonium and squeezed out the first notes of “Love More” from her second album “Epic,” we knew it had become a special night. This slow-burning, sad, and ultimately soaring track showcases Sharon’s talents better than any other so far. We have a feeling “Love More” is just the beginning. Sharon Van Etten is clearly someone to watch out for in the future. We walked out into the rain with that great feeling only music can give you when it moves you.


Pictures and Text by Chris Goldberg
More pictures in the HAD Archive

Wednesday, April 13, 2011

Archers Of Loaf Playing New York In June

Well, this is awesome: it looks like January's impromptu reunion was more than a one-off for the Archers Of Loaf. Word has just come over the wire that the band will play two New York shows in June.


On June 25th and 26th , the band will play the Music Hall of Williamsburg and Webster Hall, respectively. While this doesn't have the media hype of, say, last year's Pavement reunion, we have to say, we're just as psyched. While Eric Bachmann's solo work is totally killer, we are definitely down to hear AOL rock out. See you there.


Wednesday, January 19, 2011

J. Mascis and Kurt Vile Coming To Music Hall Of Williamsburg In March

J. Mascis with Dinosaur Jr. in Central Park, from the HAD Archive

Clearly there is a booking agent somewhere with some damned fine taste with regards to rock and roll: J. Mascis be coming to Music Hall of Williamsburg on March 25th, in support of his new record Several Shades Of Why. The record drops on March 15th from Subpop, and if the first track "Never Enough" (below) is any indication, the record will see Mascis taking a more chill path with his solo tunage this time around.

Kurt Vile at Amnesia, from the HAD Archive

As if that weren't enough, Mascis will be joined by Kurt Vile and The Violators, who will be out in support of their new record as well. Considering Vile's rapidly growing fanbase (and awesomeness), we're not sure he should be put in an "opener" slot. That being said, Mascis is a bit of a legend, so getting twice as much bang for our buck certainly isn't something to complain about.


Update: The dates also include an evening at Mercury Lounge. Details:

J. Mascis And Kurt Vile Spring 2011 Dates
Thursday, March 10 – Ithaca, NY – Castaways
Friday, March 11 – Toronto, ONT – The Great Hall (Canadian Music Fest)
Tuesday, March 22 – Battleboro, VT – Headroom Stages
Wednesday, March 23 – Philadelphia, PA – World Cafe Live
Thursday, March 24 – New York, NY – Mercury Lounge
Friday, March 25 – Brooklyn, NY – Music Hall of Williamsburg
Saturday, March 26 – Boston, MA – Brighton Music Hall
Wednesday, March 30 – Cleveland Hts, OH – Grog Shop
Thursday, March 31 – Ann Arbor, MI – Blind Pig
Friday, April 01 – Chicago, IL – Subterranean
Saturday, April 02 – Minneapolis, MN – 7th Street Entry
Thursday, April 07 – Atlanta, GA – The Earl
Friday, April 08 – Athens, GA – Melting Point
Saturday, April 09 – Asheville, NC – Grey Eagle
Sunday, April 10 – Carrboro, NC – Cat’s Cradle

Tuesday, September 14, 2010

Spoon At Music Hall Of Williamsburg: The Videos

We know, we already posted about Spoon's show at the Music Hall Of Williamsburg. But you see, here's the thing: we got these killer videos of the band playing their set, and we figured it deserved a post of its own. Not only did we manage to snag both of the covers that were performed, but we also captured just a touch of the energy that was in the room. Check the vids below. We think you'll enjoy.









Spoon Played Music Hall Of Williamsburg: Pictures, Review, Setlist

Sure, we know what you're thinking. We here at HAD are a bunch of crazies that just can't get enough of Spoon. Well, you're half right: we can't get enough of Spoon, but we're sure as hell not crazy, and last night proved it. After catching Spoon in New Jersey on Sunday, and at Cake Shop yesterday afternoon, we made our way to the Music Hall Of Williamsburg and saw the best show we've seen from the band in a very long time.


Opener Sean Bones delivered a solid set of reggae-tinged rock that did a great job at warming up the crowd. Bones' music manages to ape reggae without becoming cheesy or derivative, and the result is something that could easily garner comparison to certain late-era Clash tunes. A lot of this could be attributed to Bones' crunchy, solid guitar playing that is largely the backbone of his sound. We dig, you hear?

Spoon took to the stage soon thereafter, and immediately delved into a killer version of "Car Radio". We're guessing this choice may have taken inspiration from the Cake Shop request earlier in the day, and we loved every second of it. On top of that, it was just the ticket to get the crowd stoked and on board for a night of awesome rock and roll.

From there, the band dove into a set that leaned heavily on their three most recent records, Transference, Ga Ga Ga Ga Ga, and Gimme Fiction. There were only a handful of exceptions, including "Someone Something", "Everything Hits At Once", and "Stay Don't Go". Still, we're definitely not complaining: the band has become so tight over the last year, that their delivery of the new material puts it in a different category from the recorded versions. Almost all of the songs have a new edge that makes them a joy to see live.

The set also contained two notable covers: Wolf Parade's "The Modern World", and Jay Reatard's "No Time". As usual, Spoon did a bang-up job in the covers department, and brought a lot of new life to these songs. "The Modern World" was slightly more rocked out than the original, and had a darker chunkier feel. "No Time" benefitted considerably from Daniel's vocals, and the performance really emphasized just what a killer chord/melody genius Jay Reatard was.

It's hard to convey, but the electricity in the room was incredible. The crowd was joyous and excited, the band was on point and having a great time, and the set (including two encores) was about as good as they come. In short, it was a fantastic evening of rock and roll from a band that is truly schooled in delivering some of the best guitar goodness on stage today.

We had heard rumors (we didn't attend) that the band's shows at Madison Square Garden were a little drier than some would have liked, and we were wondering if maybe the guys were a little tired from the road. If last night is any indication, those rumors were started by some cracked out fool. Rest assured: Spoon is kicking ass, taking names, and loving it all at the same time.

Car Radio
Nobody Gets Me But You
The Mystery Zone
You Got Yr. Cherry Bomb
Trouble Comes Running
The Ghost of You Lingers
Written In Reverse
Someone Something
Modern World (Wolf Parade cover)
The Two Sides of Monsieur Valentine
Don't You Evah
Finer Feelings
Everything Hits at Once
Don't Make Me A Target
I Summon You
No Time (Jay Reatard cover)
Got Nuffin
Black Like Me
--
Who Makes Your Money
Stay Don't Go
My Mathematical Mind
--
I Turn My Camera On
The Underdog

Many more photos in the HAD Archive

Sunday, September 12, 2010

Spoon Chooses Monday To Take On New York City

Spoon at the House of Blues Boston, from the HAD Archive

Sure, we already told you about tonight's sold out Spoon show at the Music Hall Of Williamsburg, but if you thought that was all you had coming your way, you're sorely mistaken.

First up, the band promptly updates their September "bonus track" at the beginning of the month, and it's a good one. A demo for the Transference track "Goodnight Laura", the track is an entirely different take on the song, driven by guitar, and featuring much more forward drums and vocals. In many ways, it's like the inverse of Gimme Fiction's "Sister Jack", which began as a piano demo, and then made its way to guitar world.

On top of the fantastic bonus track, you also get another chance to see the band today. In addition to the Music Hall show, the band will be dropping in at Cake Shop to play a tiny show for fans, with tickets sold at the door. No word on whether it'll be a full set, but according to the band's web site, doors are at 12:45 and the show is at 1.

Happy Spoon Monday kids!

Tuesday, August 24, 2010

Spoon To Play Music Hall Of Williamsburg On September 13th

Britt Daniel of Spoon at Boston's House Of Blues, from the HAD Archive

While we have yet to see official confirmation, rumors appear to be cropping up that Spoon is playing the Music Hall Of Williamsburg birthday party on September 13th. There's no word of an on sale date yet, but given that the band will be in New Jersey the day prior, it seems entirely feasible.

While there's some griping about ticket price ($33, apparently), we have to say that it's well worth it. Not only are Spoon at their very best in a close packed room, but it'll be much more up close and personal than the band's recent dates at Madison Square Garden. We. Are. Psyched.

Monday, May 3, 2010

Ok Go Played Music Hall Of Williamsburg - Pictures, Review, Setlist

On Friday night we stopped in at the Music Hall Of Williamsburg to check out the second sold out evening from Ok Go. We weren't exactly sure what to expect of the band's live show, as our experience thus far had been exclusively with the band's records and of course, music videos. That being said, we had gotten the impression from friends that we might be walking into a shitstorm of screaming teenage girls. However, keeping in mind that that's happened to some pretty amazing bands in the past, we were willing to take our chances.


Thankfully, there was nothing to worry about: we were treated to an evening of extremely gracious (and certainly rapt) fans enjoying a night of completely killer rock and roll. While the band's set was cleverly augmented by various stage props, including confetti and laser equipped guitars, the thing that really won us over was a set of straight-ahead, no bullshit rock and roll.

The set consisted of a fair dose of material from the band's latest record Of The Blue Colour Of The Sky, which was just fine by us. The Dave Fridmann produced record is unquestionably the band's strongest to date, and it was furthered in the live environment by the band's on stage enthusiasm. On top of the new material, the band gave a tip of the hat to the notables of their back catalog, as a well as a bulletproof cover of the Pixies' tune "Debaser".

At the end of the day, we head to live rock shows to see band's at their very best. Delivery of live rock and roll is a highly dynamic, multi-faceted experience, and requires performers that "get it": That they're not just there to deliver a set of songs, but to interact with the audience and provide a spectacle that transcends what is perceivable on the records. On Friday night, Ok Go did exactly that, and we dug every minute of it. We'd recommend you listen when we say that this is a rock show you don't want to miss.

Ok Go return to New York October 29th at Terminal 5.

Setlist
--
Invincible
Needing/Getting
A Million Ways
All Is Not Lost
I Want You So Bad I Can't Breathe
White Knuckles
Oh Lately It's So Quiet
A Good Idea At The Time
Here It Goes Again
What To Do
Last Leaf
Don't Ask Me
Get Over It
Back From Kathmandu
Debaser (Pixies Cover)
This Too Shall Pass
--
WTF?
Skyscrapers
Do What You Want

Many more pictures at the HAD Archive

Thursday, March 11, 2010

Broken Bells and Plants And Animals Played Music Hall Of Williamsburg: Pictures, Review

Unexpected duo James Mercer of the Shins and Danger Mouse have made an excellent album as Broken Bells, but after seeing them live at Music Hall of Williamsburg last night, it finally made sense as to why they've clicked so well.

Before they took to the stage, however, we were psyched to discover that Plants and Animals would be opening the show! Long a fave here at HAD, not only did the band deliver a rock solid set, but they also brought a bunch of material from their new record out to play. Needless to say, we were more than a little enthused, and can't wait to catch them when they return in a headlining slot.

Soon after, Broken Bells made their way on stage. Now, note: these are not your typical rock stars. They’re both stoic and serious-minded on stage. No frills. No showboating. Rather than yearning to be the center of attention, they seem to want to get out of the way of the music. In fact, the entire set was played in front of a trippy looped video-art projection, leaving the band in the dark practically the whole time. Only venturing from behind the drums for a few songs, Danger Mouse seemed elusive – and Mercer downright shy.

If the music wasn't so hypnotic and well-executed, the show might have felt underwhelming. It was very short, even though they played all ten songs from the album. For the encore they covered Neil Young’s "Don't Let it Bring You Down" and Tommy James and the Shondells’ "Crimson and Clover". Then Mercer said, "Okay, let's get a drink," and that was that. Still, it’s hard not to admire these guys. The show left us with the urge to throw on our good headphones and listen to the album again and again, which is exactly what we're going to do.

Words and Pictures by Chris Goldberg.

More pictures at the HAD Archive.

Tuesday, March 2, 2010

Shout Out Louds Played Music Hall Of WIlliamsburg - Pictures, Review

“We’re so glad to be back,” front man Adam Olenius told us early in the Shout Out Louds’ sold out set at Music Hall Of Williamsburg. The Swedish indie rockers have returned to the States for the first time in three years to tour behind their new album Work – and the first thing you notice are the beards. The band exudes a more “elder of the tribe” vibe these days. No longer the new pretty boys (and girl) on the block, they’re certified veterans at this point, and have the pro stage presence to prove it.

They ran through most of Work, despite the fact the audience was unfamiliar with the new songs (the album just dropped last week) But they were at their best – and the crowd happiest – when they hit the highs of their most anthemic and catchy tunes. Two of the new one,s “Fall Hard” and encore-closer “Walls” fit that mode 100%, but it was the older tunes “Tonight I Have To Leave It,” “Please Please Please,” and the occasion-appropriate “The Comeback” that really got the mojo flowing.

One guy in the balcony, covered in sweat, was going so crazy that he even caught the attention of the band. “Be careful not to fall off the balcony,” Olenius said. Then he smiled, “Not bad for a Monday night.”

Shout Out Louds play a “secret show” tonight at Piano’s, first come first serve. Then they’ll be back in New York on May 5th for a gig at Webster Hall. Fingers crossed ubersexy keyboardist Bebban Stenborg gets more stage time as she did on the last tour, singing lead vocals on the beautiful song “Blue Headlights.”

Words and Pictures by Chris Goldberg
More pictures at the HAD Archive

Monday, September 21, 2009

Yura Yura Teikoku Played Music Hall Of Williamsburg - Pictures, Review

We had heard whisperings that Yura Yura Teikoku's set opening for Yo La Tengo in Boston was fantastic. In fact, one HAD staffer even went to so far as to say that the band had outshone YLT, and not by a little bit. Suffice it to say, it was enough to peak our interest and get us to head over to the Music Hall of Williamsburg on Friday night, and we certainly didn't leave disappointed.

Much like Yo La Tengo, YYT manages to jump around a plethora of styles while seeming completely at home in each one. The tracks varied from noise rock, to chilled out Floydesque jams, to a poppy radio friendly tune that could have easily qualified as current-day Kings Of Leon. Absorbing the breadth of the bands catalog was challenging, but also completely entertaining.

The band themselves are a tightly knit trio consisting of bass, drums, and guitar. While the bass and drums are so locked in they could almost be a single instrument, guitarist Shintaro Sakimoto frequently tore away from the mix on his own. Sakimoto's playing was by far the most magnetic piece of the evening, as he created wave upon wave of noise and ended up sounding far more like two or three instruments than one.

At the end of the show, we have to admit, we walked away a bit boggled: On the one hand, YYT are unquestionably savvy, both technically and as songwriters. But their set fluctuates genres so quickly, that it's tough to get a handle on the feel and flow. That being said, we went into the show unfamiliar with any of the band's material, so the fault may lay there. Regardless, the performance and virtuosity we saw left one thing for certain: we'll be giving the band another listen in the very near future.

Many more photos at the HAD Archive.

Monday, August 3, 2009

Little Joy, Jarvis Cocker Played Music Hall Of Williamsburg - Review, Setlist

Last Thursday night we managed to get out for a night in Brooklyn to catch up with Jarvis Cocker. The last time we caught JC's show it was at the Fillmore, and it certainly did not disappoint. Fresh off of a new record (and newly divorced) we had a guess that Cocker's performance might be even more saucy this time around, and boy were we right.

Little Joy opened the night with their full lineup; This included the on-hiatus Fabrizio Moretti who apparently managed to pencil in the time for this hometown gig. The band played a set that more or less drew upon their debut record, and (at least to our ears) seemed relatively par-for-the-course. Maybe it's because they were in an opening slot, or maybe it was just the vibe of the night, but it seemed that the band never quite hit their stride.

The main act was another story entirely: Cocker took to the stage and never let up for the duration of the set. On stage his band almost seemed frozen when compared to JC's frenetic movement from song to song. He is, most certainly, a showman at heart. Equal parts Bowie and vaudeville dancer, Cocker simply manages to have the crowd wrapped around his finger while he delivers his performance.

The set focused heavily on the new record, Further Complications, and it should be said that the songs hold up even better live than they do on the record. Some of the tunes that seem a bit simplistic or trite on the record really benefit from the energy and vigor infused by the live environment. In fact, the only weak point we could find in the set was the choice to close with the mellowed out "Discosong". After such an intense show, we would have rather seen Jarvis go out with a bang.

That being said, our conclusion is the same: If you ever have the opportunity you really must catch Jarvis Cocker in concert. His dynamic energy and showmanship is simply unparalleled in the world of music, and is a sight to be seen (and heard). While we weren't on camera duty on Thursday, we have to say that we think our lone cameraphone shot (above) illustrates the gig pretty well. Which is to say: a really, really, good time.

Jarvis Cocker Setlist
--
Angela
Further Complications
Leftovers
Slush
Big Julie
I Never Said I Was Deep
Homewrecker
Fat Children
Black Magic
--
Pilchard
Hold Still
Don't Let Him Waste Your Time
You're In My Eyes (Discosong)


Head to Brooklyn Vegan for some nice pics.