HAD's Top Records Of 2009

You didn't think we'd forgotten, did you? Granted, it's New Year's Eve and we're not much for best-of lists. Still, we couldn't help but think that you, dear readers, might just like to know what we had picked as our creme de la creme for the year. So, without further ado, we give you the HAD Best Records of 2009! Happy New Year!

1. Phoenix – Wolfgang Amadeus Phoenix:
If this entry surprises you, then one of two things is true: either you don't read HAD regularly, or you're just plain not paying attention. We've been drooling over Wolfgang Amadeus Phoenix since before it's release, and frankly never stopped. There's no question that 2009 has been Phoenix's year, and we had the pleasure to catch them on the way up. Given that it was three years since their last record, our only disappointment is that we may have to wait just as long for the next one.

2. Kurt Vile – God Is Saying This To You...
Kurt Vile has had a ridiculously prolific year: two full length records and an EP, to be exact. Still, it's this record - the first we heard from Vile - that really stuck with us when push came to shove. God Is Saying This To You... takes hold of all of Vile's strengths, combining them simultaneously into a whole that is greater than its parts. There's atmospheric ambience, pop songwriting, and killer instrumentation. In short, it's a masterpiece that he has yet to best, although we have little doubt that he will.

3. BLK JKS – Mystery EP/After Robots
BLK JKS exploded on our musical consciousness seemingly out of nowhere, offering up a killer blend of sonic influences that is simply unparalleled in the US music scene. Hailing from South Africa, the band has a sound that is unmistakably unique, and moreover, completely exciting. The compositions are loaded with layers of melodies and rhythms, many of which only reveal themselves after repeated listens. We're often searching for sounds that are unfamiliar or unique, and in BLK JKS we found them without question. With the band just having released their first video, we frankly can't wait to see what comes next. (And if you have any question in your mind about what high quality vinyl pressings sound like, pick up the band's Mystery EP. The pressing is a marvel of analog science.)

4. Dirty Projectors – Bitte Orca
It goes without saying that Dave Longstreth has been writing some of the most exciting compositions out there for the better part of a decade. Still, 2009 was the year when he took his game to town, and delivered it to the masses. Assembling a ridiculously tight band for both the studio and the road, Longstreth managed to create a body of compositions that somehow fulfill a ridiculous duality. Not only are they some of the most groundbreaking works of the year, but also somehow unfathomably accessible. Listening to the effortless intricacy makes you realize that there are simply some bands that were meant to push the envelope, and that Dirty Projectors are one of them.

5. Japandroids – Post Nothing
Post Nothing fell upon us like an unexpected breath of fresh air. The record is, quite simply, a balls to the wall, blood on the tracks, heart on the sleeve, rock and roll record. Never mind that it's only two dudes making all that noise, or that they employ an amazingly honest DIY work ethic. The fact of the matter is that this record has some of the most heartfelt lyrical content we've heard in a long time, and that friends, is called soul. "Will be find our way back home? I don't know..." Neither do we, but you can bet we'll be glad to have a Japandroids record for the journey.

6. White Rabbits – It’s Frightening
Talking about this record without mentioning its producer is painfully difficult, especially given how much we love the guy. But it's absolutely necessary, because White Rabbits deserve their moment in the spotlight. Not only did the band create this amazing record, but they backed it up with a painfully bulletproof live show that demonstrated their musical prowess without compromise. It's Frightening is the sort of record that will be stuck in your head for days after you've heard it, and that's definitely a good thing.

7. Julian Casablancas – Phrazes For The Young
No, it's not a Strokes record, but we're okay with that. The fact of the matter is that Julian Casablancas the solo artist manages to create a world that he controls completely, and that means that you're seeing his vision to perfection. The end result is an album that is many things at once: controlled but chaotic, dancey but rock-y, angry but laughable, earnest but sly. In short, Casablancas has managed to take his persona and elevate it to another level, with an album to match. Phrazes takes quite a few listens to truly "get", but once you do, it's every bit as rewarding as any offering from Jules so far.

8. Vetiver – Tight Knit
After releasing a covers record, we were kind of secretly wondering if Vetiver had it in them to follow up the stellar To Find Me Gone. Tight Knit answered that question with a resounding yes: the record is packed to the seams with amazing instrumentation, fantastic songwriting, and killer arrangements. What's more, for a band whose strong suit is subtlety, they manage to deliver a rock solid, upbeat live show. In short, Vetiver has clarified that not only are they here to stay, but they're delivering some of the best sounding records around.

9. Fuck Buttons – Tarot Sport
We were sort of lukewarm on Street Horrsing, so we were pretty surprised when Fuck Buttons delivered a record of this caliber. Quite simply, Tarot Sport manages to take electronica to a new place, and it's one that we're quite happy to be. The pair manage to employ a range of synths and samples to create a sound that is immediately accessible and at the same time totally holds its own against some of the best electronic experimentalists today. It's been a long time since we've been completely won over by a record driven by DJ's, but we're happy to say that Tarot Sport delivers.

10. The Takeover UK – Running With The Wasters
What can we say? We're suckers for amazing pop records, and this one is exactly that. Yes, it's an amalgam of influences, but the fact of the matter is that Running With The Wasters is a record of pure garage rock perfection, with a shiny veneer on top of it all. Sure, we know it's not cool to love a record this clean, but that doesn't change the fact that every time we listen to it the melodies are stuck in our head for days afterward. What's more, the band is a sight to see live, and has the chops to deliver exactly what the record promises. Throw it on, sit back, and relax - this record's about as fun as they get.

Well kids, there you have it - our best of 2009! Now we're off to enjoy a snowy New Year's Even in New York, and we hope you're doing the same, wherever you are. See you next year!

HAD's Top Eleven Of 2008

Yes, eleven. At the end of the day, we just couldn't bring ourselves to pare it down to ten, and what's the point of normalcy, anyway? Instead we decided to just give you the unfettered list of our favorite records of the year, count be damned.

This list is really our best effort to point out the records that caught our attention, and held on to it for a good long time. There are lots of other great records out there, but these are the discs that stayed with us through the year. On headphones and speakers, at home and on the road, these are albums that not only held our attention, but also changed our perspective on music and opened our eyes to a new perspective.

1. Frightened Rabbit - Midnight Organ Fight:
To anyone who's a regular reader of HAD, this record's place at number one should come as no surprise. We're simply addicted to it, in every sense of the word. The desperate vocals, the layered guitars, the outstanding songwriting, and the clever lyricism - all of them contribute to make Frightened Rabbit's latest our number one record of the year. Some pigeonhole it as emo or depressing, but we're of the opinion of their missing the humor behind the record. Its songs are a shot at the unbelievable nature of love and life in the modern world, and struggling to find some semblance of reason amongst the chaos.

 2. Plants And Animals - Parc Avenue:
This Canadian trio hit us out of the blue with a record that captures so many elements that it's painfully hard to characterize, aside from the fact that it's very, very, good. The album's tracks contain a vast range of styles, rhythms, and melodies. More than anything, they serve to lay a foundation for a band that is clearly adept at doing whatever they please. From the anthemic opener "Bye Bye", to the record's frenetic closer "Guru", this album simply begs to be listened to on repeat - what's hiding in the nooks and crannies gives more and more with each listen.

 3. MGMT - Oracular Spectacular:
Sure, it's debateable as to when this record came out. If you're a "when did the public get it" purist, then sure, it was released in digital form last year. For us, though, the record hit the streets in January, and a release is a release. But enough about technicality: this record is rock and roll brilliance. An amazingly clever tongue and cheek look at disillusionment in the face of commercialism and social norms. It's a record about finding your own way, discovering yourself, and wondering what on earth people are doing following the crowd. It doesn't hurt that the melodies are ridiculously catchy and memorable, and that Dave Friddman did a fantastic job with the production duties. The whole record comes together to be a pop masterpiece that also manages to take a stab at everything and anything conventional.

4. Evangelicals - The Evening Descends:
It's difficult to pull of experimental psychedelica in a way that's accessible to your average listener. It's even more difficult to dose that experimental psychedelica with just enough pop sensibility that your record transcends genre and defines you completely. On this record, that's exactly what Evangelicals have done: the album is a cacophonic dose of measured chaos that seems almost incomprehensible, but at the same time demands that the listener sing (or at least attempt to sing) along. Every time we pop in this disc, we have to smile at its amazing ability to unite melody with off the wall production - this is the sound of people having fun with music.

5. David Byrne And Brian Eno - Everything That Happens Will Happen Today:
To say that David Byrne and Brian Eno pose each other with inspiration is an understatement: the two have collaborated on some of the most influential and amazing records of the modern era. Given that, it makes sense that the music community at large was more than a little excited to see what this collaboration would yield: the experimentalism of My Life In The Bush Of Ghosts? The disjunct art rock of the Talking Heads? In the end, it was something different althogether: Byrne brought the influence of his recent work to the table, and Eno laid down some of his most song based work in years. The result is a record that has all the melodic and lyrical rewards of Byrne's solo career, with an underpinning of Eno's instrumentals that push Byrne ever so slightly back to the world of rock music - and it's a very good thing.

6. The Sea And Cake - Car Alarm:
Given its similarity in production and writing to last year's Everybody (our #1 of the year), it should come as no surprise to find this record in our top 10. Even the press release for Car Alarm name checked it as the clear successor to Everybody. The band was happy with what they were doing, happy to be on the road, and wanted to capture the sound for round two. In the end, they did exactly that: the album presents the same measured, well crafted pop, with some ever-so-slight tweaks that separate it from its sibling. The guitars are tougher, the percussion more varied, and the vocals more pointed. We're glad The Sea And Cake managed to get another disc out the door this quickly, and given the result we hope they don't slow down any time soon.

  7. The Heavenly States - Delayer:
It's a pretty unique experience to see a band three nights in a row, having never heard anything they've done previously.  In the case of The Heavenly States, that's exactly what happened: we caught them opening for Spoon on a killer 3 night run at the Fillmore, and were on board thereafter.  The band manages to take a degree of earnest lyricism and melody that doesn't always suit our fancy  (think Springsteen), and then temper it with just enough balls to the wall musicianship that all of a sudden we're perfectly happy to be earnestly rocking.  This record is loaded with infectious melodies, gorgeous guitar hooks, and most importantly, the soul of rock and roll.  We're waiting on the next one, States.

8. TV On The Radio - Dear Science, :
We've been fans of TVOTR since way back in their pre-album-release days, so this one was on our radar from the get go.  The thing is, while previous releases have always been great, this one takes it to a new level.  The band has managed to unify their sound in a way that perfects it, and the same time minimizes it.  Songs are more artfully layered, and the band seems less intent to be constantly firing on all cylinders.  Rather, this is a record with a solid ebb and flow, that comes together in the way a great record really should: it feels distinctly as though it should be enjoyed in one satisfying listen.  That isn't to say the record is without catchiness: the songs on the album hold their own, and frankly, it gets us thinking that TVOTR's next record could be the one that puts them solidly into the arena as both an artistic stalwart, and a favorite of the mainstream.  Next Radiohead, anyone?

9. Port O'Brien - All We Could Do Is Sing:
Port O'Brien, on their face, is something of a folk band:  many of their lyrics are sentimental, biographical, or downright excerpts from a story telling session.  Yet even in the face of all that folk sensibility, the thing that really wins us over is the fact that the band isn't afraid to rock.  Even this most sensitive moments are laced with something of an iron grip, and the band's live experience takes the album's rock sensibility and takes it to another level.  It's tough to think about them and not mention Neil Young in the same breath, except that Neil's voice (quite frankly) doesn't measure up to what Port O'Brien has to offer.   Judging by the band's live set, the next record will be a step further in the direction of searing rock and roll, but in the meantime, we're content to enjoy this gem any time we're looking for a taste.

10. Stephen Malkmus + Jicks - Real Emotional Trash:

This record's a tad difficult for us to even think of as an '08 release, as most of its songs had been heavily, heavily road tested by the time it came out.  That being said, this is a record that really needs to be recognized:  it's really the first time the Jicks have come together and released a solid record as a band.  2005's Face The Truth was clearly (and admittedly) a Stephen Malkmus basement project, that wore all the hallmarks of the singer and guitarist's idiosyncrasies.  By sharp contrast, Real Emotional Trash unifies the band (including newcomer Janet Weiss) under the guidance of Malkmus, and then allows them to truly shine.  We have to admit, we're a fan of anything Malkmus rolls out the door, so we're curious to see what the next record will bring.  Regardless of what it does bring, this record is a clear testament to the Jicks abilities, and the fact that they have graduated far beyond the simple moniker of "Stephen Malkmus' backing band".

11. The Walkmen - You And Me:
This record is the one that kept us from sticking to a simple "top ten", and with good reason: The Walkmen have released a record that manages to draw from (and learn the lessons of) every record in their catalog.  While many have hailed this release as a "return to form", we here at HAD are inclined to disagree.  While You And Me does contain many of the hallmarks of the band's first two records, it also contains a certain sensibility that is unquestionably reminiscent of the bands oft-criticized (and frankly, well-loved around here) release A Hundred Miles Off.  The band's ethereal, haunting rock has been solidly laced with a newfound pop sensibility, and what's more, many of the songs have managed to chip out a genre that is even more distinctively "Walkmen" than any of their previous releases.  In short, this is a record that realizes the promise of the band's greatness, but also manages to illustrate the journey it took to get there.

So, there you have it folks: Our top records of 2008!  Enjoy your New Year's, and we'll be sure to see you back here next Monday.  In the meantime, stay safe, and if you missed any of these records, get out there and grab them.  You wouldn't want to get behind with 2009 just around the corner!

Rolling Stone Touts The 100 Greatest Singers

Over the past 20 or so years, we here at HAD have grown progressively more skeptical of Rolling Stone. The once great music magazine has become a largely industry fed advertising machine, and it's seldom that they even focus very intently on music. That being said, we like the new magazine format that debuted earlier this year, and it seems like perhaps they've realized that they need to "get back to basics" and get some quality music driven content up in that piece.

All that leads us to this item: Rolling Stone's "Greatest 100 Singers Of All Time". Now, typically we would be skeptical of such a list. For one, lists like this are never definitive, and highly subjective. What's more, it becomes almost a bore to go over a list that will inevitably be so predictable (and indeed, it is). However, what caught our eye about this particular list is the fact that it was voted on and written by musicians themselves.

Such a voting populace at least intrigued us enough to see how things panned out. Upon closer observation, the top 10 articles are written by noted members of the voting block, and you can even click through to view hand written ballots. Sure, most of the list pans out exactly as you'd expect it to, but it's still pretty cool to see Iggy Pop singing the praises of James Brown. Pretty solid.